KUNSTRAUM BUCHBERG |
BUCHBERG CASTLE ON THE RIVER KAMP
BUCHBERGER SOMMER 1992
[BUCHBERG SUMMER 1992]
First presentation of the site-specific installations by VINCENZO
BAVIERA, Kegel [Cone], BERNHARD LEITNER, Ton-Raum Buchberg [Sound-Space
Buchberg], STANISLAV KOLÍBAL, Fundort Dachboden [Location Attic], PETER
WEIBEL, Österreich-Zimmer mit einem Gasherd zur Erzeugung echt
österreichischer Stimmung [Austria Room with a Gas Oven to Produce a Truly
Austrian Atmosphere] (reinstallation), and exhibition of a selection of works
from the Dieter and Gertraud Bogner collection. The presentation includes a
model by DAN GRAHAM produced in 1989 for the pavilion completed in 1996.
28th June to 9th August 1992
Leaflet: KOLÍBAL RAUMKONZEPT BUCHBERG XI
KUNSTGESCHICHTE UND GEGENWARTSKUNST. INTERPRETATIONSMODELLE VON 1860 BIS
HEUTE
[ART HISTORY AND CONTEMPORARY ART: INTERPRETATION MODELS FROM 1860 TO
THE PRESENT]
5th European seminar of the European art historian initiative LES
ATELIERS DES INTERPRÈTES
Organised by Martina Sitt, Matthias Waschek and Philip Ursprung
5th to 8th September 1992
Publication: LES ATELIERS DES INTERPRÈTES, Revue Européenne pour Historiens
d’Art/Europäische Zeitschrift für Kunsthistoriker/European Journal for Art
Historians, no. 5, January 1993, conference papers Kunstgeschichte und
Gegenwartskunst, Buchberg Castle on the river Kamp, Lower Austria,
5–8/9/1992
LES ATELIERS DES INTERPRÈTES was a European initiative of young art
historians founded in 1987 and active around 1990, who from 1987 onwards
organised an annual multi-day seminar in a different country each year on
methodical and linguistic issues and problems of contemporary art history and
communicating art history. The aim was to improve international contacts
between junior researchers in art history and related disciplines.
BERNHARD LEITNER, Fließender Stein [Flowing
Stone], granite, wood, 2 speakers, 1990. Photo: Wolfgang Woessner
HEIMO ZOBERNIG, Untitled, 15 pictures,
oil, canvas, wooden box, 1989; ALF SCHULER, Wandstück [Wall Piece],
string, hand-bent pieces of pipe, 1979. Photo: Margherita Spiluttini
FRANÇOIS MORELLET, Défiguration [Disfigurement],
primed canvas, 1989; FRANTIŠEK LESÁK, halbvoll-halbleer [half full–half empty], wood, brass, glass, glycerine, 1975. Photo: Margherita Spiluttini
STANISLAV KOLÍBAL, Bau VI [Structure VI],
plywood sheets, 1989. Photo: Wolfgang Woessner